From the Bandcamp biography: "...across these 6 tracks is a core condensation, a collection of every topic I've written about I was in fear of up until this point. At the same time, it covers my life from college up to a little after graduate school, wherein I talk about topics like bad house parties (Group Control), wealth gaps I saw in Ivy League life (Stupid Prizes), and appreciating community while at the same time being scared of it (Community). From 2018 to 2023, they have been in the either and were played out in the public in some form or another (in fact, one of these songs, “Group Control” was a tune that I recorded from the WSPR live record from some years back)..."Art by Maria Flores. Layout design by Ilana Hope. Mastering by Heather Jones of So Big Auditory. Mixing, recording, writing, and performing done by Zack Schiavetta, with the exception of string section on "King of the Kruel" performed by Daniel Schiavetta Jr., 2020-2023.

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Silent Barn- 2020 release. Written, recorded, mixed, and mastered by Zack Schiavetta. Artwork by Zack Schiavetta. Served as an addendum to 2018's The Archimeanden Point, "Silent Barn" references the growing isolation I felt from my crowd at the time. Paranoia ultimately drove this record—the musings of a 20-year-old who felt "wronged" in some way or another. We must recognize the inherent clout and economic politics that underground music can be a born driver of, and not put forward any solutions to it.

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The Archimedean Point- 2018 release. Written, recorded, mixed, and mastered by Zack Schiavetta. A record whose beginnings began immediately after 2016's "The Names They Give Are Dumb", I crawled back to my home to record this on my 8-track TASCAM DP01FX/CD

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The Names They Give Are Dumb- 2016 release. Written by Zack Schiavetta. Drums by Jesse Cannonball Statman, Piano by Kate Fischer. Mixed and Mastered by Dalton Deschain and Wayne Silver at The Ice Plant. Art work by Zack Schiavetta. The 2nd LP, and first time in a proper studio. Looking back at it, I really didn't understand what I was doing. But I knew whatever I was doing it was at the hands of very, very competent and smart people. I think lyrically I was trying to see how far I was able to stretch the themes from MOAST. Also, I think I was tried of being comfortable with being uncomfortable, and the inner mechanisims of the recording studio not only made me put my "big boy" pants on, but also recognize how much I really love recording in the first place. This moment in my life became more important than I would recognize. Holy shit I love making music it's so dope.

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Written, recorded, mixed, and mastered by Zack Schiavetta. Art work by Alyx Farias. The first LP I did, Memoirs of A Scared Teenager I thought provided an overview of my life emotionally at that time in High School. I was constantly afraid about what was around me and where I would go.

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Written, recorded, mixed, and mastered by Zack Schiavetta. Artwork by Zack Schiavetta. This was the first work I ever put out. I didn't know exactly what I was doing, but it felt right at the time. Wrote and recorded all songs in one night.

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